Difficulties faced with new Final Cut Pro 10

1. When clips are moved since its a magnetic timeline other clips takes its place unless you use the position tool. It creates audio sync issues.
Solution - "tilde" key (~)

2. It takes more time to shift clips if you are on a project where you have to trim the timeline. Lets say the total timeline duration is ten minutes where the client needs it to be three minutes now. If you have a transition. It does not allow you to move swiftly. Worst it does not have a lock feature. I don't know why apple does not want to add a feature called 'magnetic timeline lock'.

3. The AV out feature does not work. In my case with my Sony TV. I tried playing with the mirroring settings but unlike FCP 7. Since it's one window moving. It's does not help if you move the app to secondary window. It also creates problem doing the color grading process if you have a small screen.

4. There is no drag drop feature instead we have to copy attributes or press shift + cmd + v.

5.No OMF output. If want to sell professional editing software better provide industry standard tools and solutions.The solution is to use 'FCPXML TO AAF' http://www.x2pro.net/ 

6.Most of the fcpxml files don't match up in DI software's or fcpxml is still not supported.

7. There needs to be easy Dolby/DTS settings for theatrical release.

8. Final cut pro 10 does not have a DCP out or advanced DVD burning settings.

Sam Smith - Writing's On the Wall from Spectre Analysis

1. Opening sequence -

Use of lines in the frame composition. The mysterious man is revealed. The depth of field is noteworthy.

Monochrome - Black, White Grey color scheme. Union Jack as the backdrop which significance ultimate sacrifice to the nation.

Sun-glass hides the emotion of Daniel Craig (James Bond).

2. The woman (Monica Bellucci) walking with the drink in her hand with two men behind her as shadows signifies constant watchful eyes. Color scheme changes to reddish yellow and neural earthy colors.

3. Silhouette in brightly lit hall where characters are not revealed as they poses mysterious secret.

4. Cuts to stadium to the skies and mountains into contrast. Clouds signify turbulent storm coming. If you go with the coffins and the cross earring of Sam Smith.

5. Aerial shot cuts to sunny ice clapped mountains which gives you a release.

6. Extreme wide shot of the lonely car in dirt road with neural color scheme. Death follows. (Yellow/Brown)

Here on, it’s all yellow in the old structure in the middle of nowhere.

7. Cuts to mysterious opening to the beach seen through the cave in the moon light.

8. Streaks of light adds to the tension.

9. The motion images of winter, storm, calm moon light signifies beneath every silence there is a dark underline of some turbulence.